» Things I Like

Danse Serpentine. Loie Fuller 1896

auroravolant — Fri, 14 Jan 2011 19:09:01 +0000

you tag!

auroravolant — Sun, 21 Mar 2010 19:45:38 +0000

Increíble e intersante proyecto, éste de youtag.

Elige tres palabras a modo de etiquetas y ellos te montan un vídeo con ellas!

Estaba oscuro y sospechosamente tranquilo-Einar Turkowski-el zorro rojo

auroravolant — Thu, 14 Jan 2010 17:53:03 +0000

Este libro “Estaba oscuro y sospechosamente tranquilo” del jovencito Einar Turkowski, (1972) es una muestra preciosa de ilustración infantil en blanco y negro. Nos cuenta la historia de un pescador de nubes, que vive en una casa abandonada a orillas del mar y despierta la envidia de sus vecinos. porque tiene un arte asombrante y desconocido!

reseña: de NEW BOOKS IN GERMAN

Einar, un ilustrador alemán que va recogiendo premio tras premio, ha obtenido el Premio Daniel Gil de Diseño Editorial con éste libro, para mayores de 5 años, y si lo quieres buscar, el ISBN: 978-84-96509-51-1, y también puedes comprarlo a través de

la editorial El Zorro rojo en español, aquí

en alemás; Atlantis

en francés:Autrement

blog-t-turkowski

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Type It!

auroravolant — Tue, 12 Jan 2010 21:20:54 +0000

Pon a prueba tus dotes mecanografiando, y si eres rápido y hábil aparecerás en High Scores !!!

Have fun while improving your typing skills with this simple typing game.
Get over 1000 points and you can submit your score to the High Scores page.
desarrollado por abwoman

Ink Calendar

auroravolant — Thu, 07 Jan 2010 12:08:18 +0000

Óscar Díaz

“Ink Calendar” make use the timed pace of the ink spreading on the paper to indicate time.

The ink is absorbed slowly, and the numbers in the calendar are “printed” daily. One a day, they are filled with ink until the end of the month. A calendar self-updated, which enhances the perception of time passing and not only signaling it.

The ink colors are based on a spectrum, which relate to a “color temperature scale”, each month having a color related to our perception of the whether on that month. The colors range from dark blue in December to, three shades of green in spring or oranges, red in the summer.

The scale for measuring the “color temperature” that I have used is a standard called ‘D65’ and corresponds roughly to a midday sun in Western / Northern Europe.

The “Ink Calendar” was developed for “Gradual “, an exhibition featuring works, which were evolving during the exhibition time at the London Design Festival 2007.

Production: Self-production.
Specs: Ink on paper, various dimensions.
Exhibitions: “Gradual” 5, Crownwell Place, London Design Festival, 2007.

Grizzly Bear – While You Wait for the Others

auroravolant — Fri, 16 Oct 2009 18:54:00 +0000

[Official Music Video in HD]

Segundo single del disco: Veckatimest ( + en su web)

Peach Flowers

volant en la red — Mon, 24 Aug 2009 18:58:02 +0000

auroravolant posted a new favorite picture (via):

likeairplanesintomountains

External Related Links

coil / sgoralnick

volant en la red — Tue, 28 Apr 2009 11:26:16 +0000

http://www.fubiz.net/

escalera de color

admin — Tue, 28 Apr 2009 11:23:53 +0000

auroravolant posted a new favorite picture (via):

Estelle Lagarde – Photographie / Paris

vi.sualize.us/auroravolant — Fri, 24 Apr 2009 21:55:10 +0000

(via): auroravolant

Os dejo el texto de Garance Cappatti para éste post:
[en]	[fr]

And if for Roland Barthes the photography is ´the dead theater of the Death , how should we call the works of Estelle Lagarde, who resurrects the dead in her exquisite scenes in the historical buildings. By providing the image with the temporarily of a dream, Estelle Lagarde not only invites us to inter with her into the fantastic and transparent world, but also to rediscover there, in these ruins transformed into the open stage the quality of her subject.	Si, comme l’Ècrit Roland Barthes, la photographie est ´ le thèatre mort de la mort - ce qui, en un clic, converti le sujet en objet - que dire alors du travail d’Estelle Lagarde sinon qu’il s’efforce de ressusciter les morts par l’art de la mise-en-scËne et l’allongement du temps de pose. RÈinsufflant au cadavre de l’image le rÍve de sa temporalitÈ, Estelle Lagarde ne nous invite pas seulement ‡ pÈnÈtrer avec elle dans un monde onirique et diaphane, mais ‡ faire des ruines d’un ancien palace la scËne ouverte sur laquelle tout Ítre masquè retrouve, comme par miracle, sa qualitè de sujet.

.............................................................................................................................................................
Merci, Estelle!